A Moratorium on New Construction

A Moratorium on New Construction

To pause new construction—even if momentarily, creates a radical thinking framework for alternatives to the current regime of space production and its suspect growth imperative. Engaging with unsettling questions, A Moratorium on New Construction envisions a massive value shift for our existing stock. From housing redistribution to reinviting value generation, from anti-extractive measures to profound structural changes, from curricula reforms to purging the exploitative culture of the office, an entire rewiring of design processes and construction lays ahead. Somewhere between a thought experiment and a call for action, A Moratorium on New Construction is a leap of faith to envision a less extractive future, made of what we have: Not demolishing, not building new, but building less, building with what exists, inhabiting it differently, and caring for it.

About the author

Charlotte Malterre-Barthes is Assistant Professor of Architectural and Urban Design at the Swiss Federal Institute of Technology in Lausanne where she leads the laboratory RIOT. Most recently faculty at the Harvard Graduate School of Design, her research interests are related to urgent aspects of contemporary urbanization, material extraction and climate emergency, and ecological/social justice.

Reviews

"A Moratorium on New Construction recaptures a superabundance of space that many stupidities and harms have obscured—space for inhabitation, mutualism, and capacious care for the planet." ~Keller Easterling, Enid Storm Dwyer Professor of Architecture, Yale University 

A Moratorium on New Construction invites us to reconsider the inherent worth of our existing structures.—For instance, it is clear that within the spectrum of construction impacts, demolition is one of the worst and should be stopped immediately. It is the first condition for buidling less. This vital text deserves attention from all who care about our shared built environment, regardless of professional background. ~Anne Lacaton, architect